Various features {depth cue}| {cue, depth} signal distance. Depth cues are accommodation, colors, color saturation, contrast, fuzziness, gradients, haziness, distance below horizon, linear perspective, movement directions, occlusions, retinal disparities, shadows, size familiarity, and surface textures.
types
Non-metrical depth cues can show relative depth, such as object blocking other-object view. Metrical depth cues can show quantitative information about depth. Absolute metrical depth cues can show absolute distance by comparison, such as comparing to nose size. Relative metrical depth cues can show relative distance by comparison, such as twice as far away.
Vision has less resolution at far distances. Air has haze, smoke, and dust, which absorb redder light, so farther objects are bluer, have less light intensity, and have blurrier edges {aerial perspective}| than if air were transparent. (Air scatters blue more than red, but this effect is small except for kilometer distances.)
Brain perceives depth using scene points that stimulate right and left eyes differently {binocular depth cue} {binocular depth perception}. Eye convergences, retinal disparities, and surface-area sizes have differences.
surface area size
Brain can judge distance by overlap, total scene area, and area-change rate. Looking at surfaces, eyes see semicircles. See Figure 1. Front edge is semicircle diameter, and vision field above that line is semicircle half-circumference. For two eyes, semicircles overlap in middle. Closer surfaces make overlap less, and farther surfaces make overlap more. Total scene surface area is more for farther surfaces and less for closer surfaces. Movement changes perceived area at rate that depends on distance. Closer objects have faster rates, and farther objects have slower rates.
For fixation, both eyes turn toward each other {convergence, eye} {eye convergence} when objects are nearer than 10 meters. If convergence is successful, there is no retinal disparity. Greater eye convergence means object is closer, and lesser eye convergence means object is farther. See Figure 1.
Brain can judge surface relative distance by intensity change during movement toward and away from surface {intensity difference during movement}. See Figure 1.
moving closer
Moving from point to half that distance increases intensity four times, because eye gathers four times more light at closer radius.
moving away
Moving from point to double that distance decreases intensity four times, because eye gathers four times less light at farther radius.
moving sideways
Movement side to side and up and down changes intensity slightly by changing distance slightly. Perhaps, saccades and/or eyeball oscillations help determine distances.
memory
Experience with constant-intensity objects establishes distances.
accommodation
Looking at object while moving it or eye closer, or farther, causes lens-muscle tightening, or loosening, and makes more, or less, visual angle. If brain knows depth, movement toward and away can measure source intensity.
light ray
Scene points along same light ray project to same retina point. See Figure 2.
haze
Atmospheric haze affects light intensity. Haze decreases intensity proportionally with distance. Object twice as far away has half the intensity, because it encounters twice as many haze particles.
sound
Sound-intensity changes can find distances. Bats use sonar because it is too dark to see at night. Dolphins use sonar because water distorts light.
One eye can perceive depth {monocular depth cue}. Monocular depth cues are accommodation, aerial perspective, color, color saturation, edge, monocular movement parallax, occlusion, overlap, shadows, and surface texture.
Closer object can hide farther object {occlusion, cue}|. Perception knows many rules about occlusion.
Using both eyes can make depth and three dimensions appear {stereoscopic depth} {stereoscopy} {stereopsis}. Stereopsis aids random shape perception. Stereoscopic data analysis is independent of other visual analyses. Monocular depth cues can cancel stereoscopic depth. Stereoscopy does not allow highly unlikely depth reversals or unlikely depths.
Features farther away are smaller than when closer, so surfaces have larger texture nearby and smaller texture farther away {texture gradient}.
1-Consciousness-Sense-Vision-Physiology-Depth Perception
Outline of Knowledge Database Home Page
Description of Outline of Knowledge Database
Date Modified: 2022.0225